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Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
http://hdl.handle.net/2241/00146068
http://hdl.handle.net/2241/0014606822ddfa4d-cd60-4c2f-9ba1-619685ad7435
名前 / ファイル | ライセンス | アクション |
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MS_14-1 (688.1 kB)
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Item type | Journal Article(1) | |||||
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公開日 | 2017-05-11 | |||||
タイトル | ||||||
タイトル | Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | journal article | |||||
著者 |
Yoshihara, Yukari
× Yoshihara, Yukari |
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著者別名 |
吉原, ゆかり
× 吉原, ゆかり |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses | |||||
書誌情報 |
Multicultural Shakespeare 巻 14, 号 1, p. 107-122, 発行日 2016-12 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 2300-7605 | |||||
DOI | ||||||
識別子タイプ | DOI | |||||
関連識別子 | 10.1515/mstap-2016-0019 | |||||
権利 | ||||||
権利情報 | © by Yukari Yoshihara. | |||||
権利 | ||||||
権利情報 | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. (CC BY-NC-ND 4.0) | |||||
著者版フラグ | ||||||
値 | publisher | |||||
出版者 | ||||||
出版者 | De Gruyter Open |