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音楽情報処理の構造的考察
http://hdl.handle.net/2241/6407
http://hdl.handle.net/2241/640720ac6551-058e-482a-ae47-9a0f0cfd9109
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A2132.pdf (153.8 kB)
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1.pdf (3.0 MB)
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Item type | Thesis or Dissertation(1) | |||||
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公開日 | 2007-07-25 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Musical information processing reflecting its structure | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 音楽情報処理の構造的考察 | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_db06 | |||||
タイプ | doctoral thesis | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
平賀, 瑠美
× 平賀, 瑠美 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | In pursuit of generating expressive musical rendition with rules, the computer music project Psyche has greatly concerned musical structure. Although described implicitly, musical structure exists innately and absolutely in musical scores. This thesis demonstrates the successful introduction of musical structure to computer music systems that are related to performance synthesis. Two systems, a performance visualization system and a computer-assisted musical analysis system Daphne, are described. A performance visualization proves the significance of musical structure for analysis and synthesis of performance. Since musical structure and relationships between its occurrences regulate performance expression, the rationale of performance can be explained at a glance with visualization enables users to find resemblances between performances which derive performance rules. The innovative figures of performance visualization is implemented to a system on which users can synthesize performance as well as analyze it. Based on musicology, the attributive information of musical structure as items of performance analysis are clarified through the design and implementation of a musical analysis system Daphne. Users can obtain the indispensable information for performance synthesis by Daphne through its realistic user interface with score images and performance. Two matters on computer music systems were figured out: the difficulty in evaluating them and the applicability and limitation of object-oriented approach to them. | |||||
言語 | en | |||||
書誌情報 |
発行日 1999 |
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取得学位 | ||||||
学位名 | 博士(工学) | |||||
取得学位 | ||||||
学位名 | Doctor of Philosophy in Engineering | |||||
学位授与大学 | ||||||
学位授与機関識別子Scheme | kakenhi | |||||
学位授与機関識別子 | 12102 | |||||
言語 | ja | |||||
学位授与機関名 | 筑波大学 | |||||
言語 | en | |||||
学位授与機関名 | University of Tsukuba | |||||
学位授与年度 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 1998 | |||||
学位授与年月日 | ||||||
学位授与年月日 | 1999-03-25 | |||||
報告番号 | ||||||
学位授与番号 | 甲第2132号 |