{"created":"2021-03-01T07:28:52.096402+00:00","id":48750,"links":{},"metadata":{"_buckets":{"deposit":"ae3bec20-b2cf-474a-9083-b6b8179ae102"},"_deposit":{"id":"48750","owners":[],"pid":{"revision_id":0,"type":"depid","value":"48750"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00048750","sets":["3:2622:6601:7245"]},"author_link":["205637"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"90","bibliographicPageStart":"81","bibliographicVolumeNumber":"23","bibliographic_titles":[{"bibliographic_title":"芸術学研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Tsukuba studies in art and design","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、同治前半期（元-5年、1862-1866）において、曾国藩（1811-1872）幕府にあった張裕釗（1823-1894）が、書法においてどのような影響を受け、かつ自己の書法形成に結びつけたかについて、その過程を明らかにしようとするものである。本稿では莫友芝（1811-1871）なる曾国藩幕下の人物に注目していく。同治5年（1866）、何璟（1817-1888）は湖北を訪ね、張裕釗と交わった。そして、その時たまたま携行していた莫友芝の書作を張裕釗に示したことが推測される。この書作には楷書に隷書の筆法を加えた、隷楷にあたる書法が大きく見られる。張裕釗が同治5年9月に書した「鮑照飛白書勢銘」もまた隷楷の風格を明確に打ち出したものである。ここにはいわゆる「隷楷相参」（隷書と楷書の筆法を交えた）に踏み込んだ跡が明瞭に見られ、その点画の払いやハネ・乙脚は非常に伸びやかであり、暢達した開放感は、従来の碑学家のいまだ至らないところであった。しかも、それは従来の張裕釗の書法を一転させるものであった。莫友芝は曾国藩の幕僚にあって、名士派に分類される学識の人であった。曾国藩は莫友芝の才能を認め、莫友芝が散逸した古籍の収集に努めていることに手を差しのべ、あるいは書法においても、莫友芝のあり方に対するよき理解者であった。このように、曾国藩幕下における二者のつながりは、張裕釗の書法形成を知る上で、重要な鍵をなすものと考えられる。以上のとおり、張裕釗書「鮑照飛白書勢銘」は張裕釗の書法形成において重要な岐点となるもので、張裕釗の書法形成における背景には曾国藩幕府が大きな働きをなしていた。ここに咸豊年間の帖学の土台の上に碑学を導入した張裕釗のあり方が裏付けられることになる。","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"This research discusses how Zhang Yu-Zhao's calligraphic style was developed in Tsen Guo-Fang's Staff Department, with investigation of its times and relevant materials during first half of Tongzhi reign. This research focuses on exchanges between scholars and Zhang Yu-Zhao. The author believes that He Jing went to Hubei and had exchange with Zhang in 1866 (the fifth year of Tongzhi reign). During the exchange, Zhang had viewed and admired Mo You-Zhi's calligraphy artworks, owned by He Jing. Bao Zhao Fei Bai Shu Shi Ming, a calligraphy artwork created by Zhang in September, 1866, was heavily influenced by Mo's calligraphic style, a mixture of clerical script and regular script, and led to the establishment of the Clerical-Regular art methodology, which was unprecedented among the calligraphers who focused on inscription. As a staff of Tsen Guo-Fang's office, Mo You-Zhi belonged to the unconventional group. Tsen acknowledged Mo's talent, and Mo helped Tsen collect lost ancient books. In addition, Mo's calligraphy style was rooted in inscriptions, which played a critical role in the exchange and formation of calligraphy. As a result, the author regards \"Bao Zhao Fei Bai Shu Shi Ming\" as the most important artwork in the formation of Zhang Yu-Zhao's calligraphy style. Zhang created his own unprecedented style with the Clerical-Regular art methodology, inspired from Mo You-Zhi's artworks, and the author thinks it was developed during the time of being a staff of Tsen Guo-Fang's office.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学大学院人間総合科学研究科","subitem_publisher_language":"ja"},{"subitem_publisher":"Graduate School of Comprehensive Human Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1139057X","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"陳, 奕君","creatorNameLang":"ja"},{"creatorName":"CHIN, Ekikun","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-02-08"}],"displaytype":"detail","filename":"TSAD_23-81.pdf","filesize":[{"value":"5.6 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"TSAD_23-81.pdf","objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/48750/files/TSAD_23-81.pdf"},"version_id":"16f104ea-0b18-4570-88ce-ac764ad662bc"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文> 曾国藩幕府における張裕釗書法の形成 : 同治前半期の書作を中心として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文> 曾国藩幕府における張裕釗書法の形成 : 同治前半期の書作を中心として","subitem_title_language":"ja"},{"subitem_title":"<Research Paper> The Formation of Zhang Yu-Zhao's Calligraphic Style in Tsen Guo-Fang's Staff Department : During the First Half of Tongzhi Reign","subitem_title_language":"en"}]},"item_type_id":"4","owner":"1","path":["7245"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-02-08"},"publish_date":"2019-02-08","publish_status":"0","recid":"48750","relation_version_is_last":true,"title":["<論文> 曾国藩幕府における張裕釗書法の形成 : 同治前半期の書作を中心として"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2022-11-22T00:02:21.675297+00:00"}