{"created":"2021-03-01T07:28:51.678042+00:00","id":48744,"links":{},"metadata":{"_buckets":{"deposit":"9a49467e-8e5f-4894-8466-179b0efe9308"},"_deposit":{"id":"48744","owners":[],"pid":{"revision_id":0,"type":"depid","value":"48744"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00048744","sets":["3:2622:6601:7245"]},"author_link":["205625"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"30","bibliographicPageStart":"21","bibliographicVolumeNumber":"23","bibliographic_titles":[{"bibliographic_title":"芸術学研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Tsukuba studies in art and design","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"国吉康雄(1889－1953)の1940年代の作品には、1939年頃から制作に使用していたカゼインの経験によって、画風に変化が現われた。そこで、国吉の画業の変遷を辿り、特に1940年代以降のカゼインを使用した作品や油彩画について実見調査をもとに作品を分析し、カゼインを用いた制作の経験によって得た描画材の特性をどのようにその後の制作で実践し、活用していったのか、そして、絵画空間にどのような効果をもたらしたのかを考察した。1930年代の作品は、絵具による厚塗りやマチエールが施されており、室内風景や人物、静物などのモチーフが何かわかるように描かれていたが、1940年代になると、画風に変化が現われた。国吉のカゼイン画の特徴である、色彩の明度の高さ、透明色や薄く溶いた絵具の重層化による奥行や陰影表現、色面同士を並置することによる平面性の強調などが1940年代以降の油彩画にも見られるようになった。30年代の油彩画と比較すると、40年代以降の油彩画は、絵画空間が、色彩や描画材による効果によって、視覚的に奥行を暗示させるような表現になっているように感じた。これは、カゼインを用いた制作の経験によって得た描画材の特性を、油彩画で応用したことによるものではないかという結論に至った。","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"A change in the painting style of Yasuo Kuniyoshi (1889-1953) can be observed in his work from the 1940s, as a result of his experience using casein around 1939. Following the transition of Kuniyoshi's paintings, I analyzed his production based on my own examination of his oil paintings and works using casein from the 1940s, considering how special characteristics of painting materials derived from his experience with casein were applied to later works and taken advantage of and what their effect was on pictorial space. Works in the 1930s were thickly painted and decorated with materials for artistic effect, and showed motifs such as indoor scenery, people, still life, etc. In the 1940s, a change appeared in his style. Special characteristics of Kuniyoshi's casein painting works such as the brightness of its colors, the expression of shades and depth using multilayering of transparencies and thinly mixed paints, the emphasis on flatness by juxtaposing colored faces, started to appear in his oil paintings after the 1940s. Compared to his oil painting work of the 1930s, in his oil paintings after the 40s the pictorial space seems to be visually suggesting depth due to the effect of the colors and materials. This led to the conclusion that the characteristics of drawing materials obtained through Kuniyoshi's experience with casein were applied to his oil paintings.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_4_description_5":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"著作権保護のため、一部の掲載図版に墨消し処理を施しています。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15068/00154216","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学大学院人間総合科学研究科","subitem_publisher_language":"ja"},{"subitem_publisher":"Graduate School of Comprehensive Human Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1139057X","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"笠原, 浩美","creatorNameLang":"ja"},{"creatorName":"KASAHARA, Hiromi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-02-08"}],"displaytype":"detail","filename":"TSAD_23-21.pdf","filesize":[{"value":"6.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"TSAD_23-21.pdf","objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/48744/files/TSAD_23-21.pdf"},"version_id":"112ebb74-975e-49ea-847f-fdc68765f191"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文> 国吉康雄の作品の絵画空間にみる、カゼインを用いた制作を経験したことによる影響について : 1940年代以降の作品分析を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文> 国吉康雄の作品の絵画空間にみる、カゼインを用いた制作を経験したことによる影響について : 1940年代以降の作品分析を中心に","subitem_title_language":"ja"},{"subitem_title":"<Research Paper> A Study of the Influence of Working with Casein on the Pictorial Space of Yasuo Kuniyoshi : Focusing on Post 1940s Works Analysis","subitem_title_language":"en"}]},"item_type_id":"4","owner":"1","path":["7245"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-02-08"},"publish_date":"2019-02-08","publish_status":"0","recid":"48744","relation_version_is_last":true,"title":["<論文> 国吉康雄の作品の絵画空間にみる、カゼインを用いた制作を経験したことによる影響について : 1940年代以降の作品分析を中心に"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-01-30T01:48:56.309133+00:00"}