{"created":"2021-03-01T07:26:27.839202+00:00","id":46541,"links":{},"metadata":{"_buckets":{"deposit":"578fd127-c4b0-4f4b-941b-e8fb552de678"},"_deposit":{"created_by":188,"id":"46541","owners":[188],"pid":{"revision_id":0,"type":"depid","value":"46541"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00046541","sets":["3:2622:6601:6602"]},"author_link":["190613"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"60","bibliographicPageStart":"51","bibliographicVolumeNumber":"22","bibliographic_titles":[{"bibliographic_title":"芸術学研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Tsukuba studies in art and design","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"菊畑茂久馬 (1935-) は、戦後美術の旗手の一人として知られる画家である。1950年代、福岡を拠点に反芸術運動を展開した「九州派」に所属し、アスファルトやセメントを用いた土俗的な作品を発表した。「私の表現の活動のなかで重要な意味を抱えているのは、モノと絵画表現との葛藤である」と語る菊畑は、オブジェ制作、そして戦争記録画の論考、炭鉱記録画家・山本作兵衛(1892-1984)への私淑、そしてオブジェ、タブローの制作活動を通して常に「絵とは何か」を考え続けてきた。2011年の回顧展「菊畑茂久馬回顧展戦後/絵画」で発表された〈春風〉、そして2015年に発表された最新作である〈春の唄〉に見られるのは、これまでの菊畑作品には見られなかった「抒情」というテーマと、淡い色彩、フラットな画面によって強調される、絵画本来の幻想性であったように見受けられた。本論は、〈春風〉〈春の唄〉について、現時点で先行研究からどのような考察がされているかを明示した上で、菊畑の制作姿勢や絵画思想に変化があった可能性についての検討を視野に入れ、〈春風〉〈春の唄〉に至る経緯の分析を試みたものである。先行研究では詳細に触れられていなかった、2004年〈月ノ光下絵〉をはじめとするドローイング作品は、構図や彩色の仕方から〈春風〉〈春の唄〉へ至る重要な要素があると考える。ドローイング作品の実見調査による考察、これまでの菊畑の作品や菊畑の発言を参照した上で、春シリーズに遡るかたちで考察する。","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"Mokuma Kikuhata (born in 1935) is known as one of the painters who were at the forefront of Japanese postwar art. In 1950's, Kikuhata belonged to Group Kyushu, which conducted anti-art movements, and hepublished local and folk-like works using asphalt and cement. He says, \"In my activities of expression, It is important to struggle between objects and pictorial representations.\" And he has always been thinking about what pictures are, through the experience;creating objects or tableaus, consideration of war paintings, and adoring Sakube Yamamoto(1892-1984), known as a painter recording coal mines.Both \"Spring Breeze\" series, published at the retrospective exhibition \"Postwar/Paintings\" in 2011, and \"A Song for Spring\" series, his latest work in 2015, show the theme \"lyricism\",unable to be seen before, and they use light colors and planarity of paintings, emphasized with their flat picture surfaces. In this paper, as a method for the consideration of how Kikuhata’s paintings will change in the future the author makes a study in a personal view. To reveal differences between \"Spring Breeze\" in 2011 and \"A Song for Spring\" in 2015, I also consider, with his largetableaus, rough sketches and drawings for reference, how he has reached the both series and, at the same time, specify how Kikuhata or others have considered the both two series so far.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15068/00151842","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学大学院人間総合科学研究科","subitem_publisher_language":"ja"},{"subitem_publisher":"Graduate School of Comprehensive Human Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1139057X","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松井, 千夏","creatorNameLang":"ja"},{"creatorName":"MATSUI, Chinatsu","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-05-30"}],"displaytype":"detail","filename":"TSAD_22-6.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/46541/files/TSAD_22-6.pdf"},"version_id":"5ea0f9c4-a367-4774-a7fe-317e9690a500"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文> 菊畑茂久馬<春風><春の唄>シリーズについての一考察","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文> 菊畑茂久馬<春風><春の唄>シリーズについての一考察","subitem_title_language":"ja"},{"subitem_title":"<Research Paper> A Study on Mokuma Kikuhata's \"Spring Breeze\" \"A Song for Spring\" Series","subitem_title_language":"en"}]},"item_type_id":"4","owner":"188","path":["6602"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-05-30"},"publish_date":"2018-05-30","publish_status":"0","recid":"46541","relation_version_is_last":true,"title":["<論文> 菊畑茂久馬<春風><春の唄>シリーズについての一考察"],"weko_creator_id":"188","weko_shared_id":-1},"updated":"2024-03-19T08:14:55.544449+00:00"}