{"created":"2021-03-01T07:26:27.771598+00:00","id":46540,"links":{},"metadata":{"_buckets":{"deposit":"f0a8efc4-e7f2-4f80-a81d-a5b83952240d"},"_deposit":{"created_by":188,"id":"46540","owners":[188],"pid":{"revision_id":0,"type":"depid","value":"46540"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00046540","sets":["3:2622:6601:6602"]},"author_link":["190610"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"50","bibliographicPageStart":"41","bibliographicVolumeNumber":"22","bibliographic_titles":[{"bibliographic_title":"芸術学研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Tsukuba studies in art and design","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、日本画における銀箔の変色を用いた表現について調査と考察を行うものである。特に銀箔の変色がもたらす視覚的な効果、そして作家の意図や主題との関係について考察を行った。はじめに、銀箔が日本画に取り入れられてきた歴史について触れ、具体的な作品の例を挙げながら日本画の素材としての銀箔の特徴、性質について述べ、筆者が考える銀箔の利点は、変色することにある、という考えを示した。次に、筆者と同様に、変色するという銀箔の特徴を肯定的にとらえている意見があることに注目した。そして、銀箔の性質を理解しかつ肯定的に捉え、意図的に銀箔を変色させていると考えられる作品について調査した。それらの作品の画面構成、主題や作者の思想について、銀箔の変色がどのように機能しているのかについて筆者の考えを述べた。最後に、筆者自身の作品と他の作家の作品を比較し、銀箔の変色がもたらす効果について分析した。画面に銀箔を押すと、奥行きが無くなり平面的な印象になる。そのため、動きや躍動感、奥行きといった効果を得ることは難しい。しかし、筆者の作品や他の作家の作品を分析した結果、銀箔の変色は、箔を押すことによってもたらされる平面的な印象を払拭し、画面に動きをもたらす効果があるとわかった。また、変色させた色味の違いによって、鮮やかさや賑やかさ、重厚さや壮大さなど、異なる印象の効果を得られることが指摘できる。以上のことから、銀箔の変色を表現に用いることによって、視覚的な印象の強さを獲得すること、また主題や作家の心情を効果的に表すことができる可能性を示した。","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"The paper is concerned with the expression using the silver foil discoloration in Japanese-style paintings, especially focusing on its visual effect, implicit message, and relation to the theme. Firstly, the paper presents the history that silver foil has been adopted into Japanese-style paintings. The haracteristics of silver foil as material in those paintings are explained with examples, and the author presents her own idea that the discoloration is the important advantage of using silver foil. It is remarkable that some artists have the same view as the author on the silver foil discoloration and thus the paper secondly investigates the works which seem to be produced based on the understanding of the discoloration. On these works, the author presents considerations on the roles of the silver foil discoloration in their composition, theme, and the philosophy of artists. Finally, the author analyzes the effects given by the silver foil discoloration to the author’s own works. Since the silver foil placed on the paintings leaves a flat and static impression, it is difficult to describe liveliness and perspective. However, according to the investigations and the analyses, the discoloration can eliminate the stagnation and describe vibrant and lively movements. Moreover, depending on the tones of the discoloration, the paintings leave a variety of impressions such as vividness, liveliness, dignity and grandness. The paper concludes with that employing the expression using the silver foil discoloration, Japanese-style paintings can gain an emphasized visual impression, and effectively represent the theme and the mind of artists.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15068/00151841","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学大学院人間総合科学研究科","subitem_publisher_language":"ja"},{"subitem_publisher":"Graduate School of Comprehensive Human Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1139057X","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"當銘, 弓佳","creatorNameLang":"ja"},{"creatorName":"TOME, Yumika","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-05-30"}],"displaytype":"detail","filename":"TSAD_22-5.pdf","filesize":[{"value":"7.3 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/46540/files/TSAD_22-5.pdf"},"version_id":"8b7f8217-1fd3-4206-8604-7acbd89eeb26"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文> 日本画における銀箔の特徴とその変色がもたらす効果について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文> 日本画における銀箔の特徴とその変色がもたらす効果について","subitem_title_language":"ja"},{"subitem_title":"<Research Paper> On the Characteristics of Silver Foil and the Effects of its Discoloration in Japanese-Style Paintings","subitem_title_language":"en"}]},"item_type_id":"4","owner":"188","path":["6602"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-05-30"},"publish_date":"2018-05-30","publish_status":"0","recid":"46540","relation_version_is_last":true,"title":["<論文> 日本画における銀箔の特徴とその変色がもたらす効果について"],"weko_creator_id":"188","weko_shared_id":-1},"updated":"2024-03-19T08:14:53.154747+00:00"}