{"created":"2021-03-01T07:26:27.704117+00:00","id":46539,"links":{},"metadata":{"_buckets":{"deposit":"e2164b85-57b7-4be6-8346-e555bbce4b4f"},"_deposit":{"created_by":188,"id":"46539","owners":[188],"pid":{"revision_id":0,"type":"depid","value":"46539"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00046539","sets":["3:2622:6601:6602"]},"author_link":["190607"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-12","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"40","bibliographicPageStart":"31","bibliographicVolumeNumber":"22","bibliographic_titles":[{"bibliographic_title":"芸術学研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Tsukuba studies in art and design","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"レンブラント・ファン・レイン（Rembrandt van Rijn、1606-1669年）の油彩画において、メディウムは、魅力的な画肌を形成する重要な要素である。1900年代中頃までの研究者たちは、実見調査に基づき、レンブラント作品に使用されたメディウムを、樹脂の割合が多いものと推察した。しかし、1900年代後半にヨーロッパの美術館で実施した、メディウムの科学分析の結果では、レンブラント作品から、樹脂の検出はなく、分析した作品の大部分は乾性油単体であることが判明した。そこで本研究では、レンブラント作品のメディウム分析に関する情報をもとに、絵具の再現実験を行ない、レンブラントが使用したであろうメディウムを検証した。検証で得た結果から、油彩画のメディウム作品の画肌の形成にどのような影響を与えているか考察した。ロンドン・ナショナルギャラリーの分析では、《マルハレータ・デ・ヘール》の白襟部分のメディウムは、被熱のあるリンシードオイルであることが推定されている。筆者は、この作品の実見調査を行ない、使用された白絵具の特性に関する情報を収集したところ、可塑性、粘性、流動性の3つの特性を合わせ持つ絵具であると推察した。これに加え、乾燥速度と光沢性を考慮し、リンシードオイルの加工法に着目した実験を行なった。その結果、サンシックンドリンシードオイルに鉛を添加して加熱処理したメディウムを使用することで、レンブラント作品の絵具の特性に近いものが再現できることがわかった。また、鉛を添加して加熱処理することで、絵具の乾燥速度と光沢性が向上することを明らかにした。","subitem_description_language":"ja","subitem_description_type":"Other"},{"subitem_description":"Based on examinations conducted by researchers in the middle of the 1900s, the binding medium used by Rembrandt van Rijn (1606-1669) was thought to contain a lot of resin.The late 1900s, however, scientific analysis of the binding medium carried out at European museums has not detected resin, and in the majority of the works analyzed, what has been detected is simple drying oil. In this research, from the production of paint based on information about the analysis of the binding medium in Rembrandt's works, I investigated the binding medium that Rembrandt would have used, and I examined what kind of influence the binding medium in oil painting has on the formation of the surface layer of the painting. From scientific analysis of samples taken from the white ruff of \"Portrait of Margaretha de Geer\", it is presumed that it was subjected to heat. Upon conducting an examination of this work and collecting data on the white paint used, the author found that it exhibited a combination of three characteristics: plasticity, viscosity and fluidity. Based on this fact, I focused on the processing method of the binding medium and conducted experiments. It was found that, sun thickened linseed oil with added lead and subjected to heat treatment enabled replication of something with properties close to those of the paint in Rembrandt's work. In addition, it was revealed that a binding medium with added lead and heat treated increases the glossiness of the paint.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15068/00151840","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学大学院人間総合科学研究科","subitem_publisher_language":"ja"},{"subitem_publisher":"Graduate School of Comprehensive Human Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA1139057X","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"菅澤, 薫","creatorNameLang":"ja"},{"creatorName":"SUGASAWA, Kaoru","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-05-30"}],"displaytype":"detail","filename":"TSAD_22-4.pdf","filesize":[{"value":"2.9 MB"}],"format":"application/pdf","mimetype":"application/pdf","url":{"objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/46539/files/TSAD_22-4.pdf"},"version_id":"d35bb846-5de5-4e0c-b824-151b5d76d50f"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文> レンブラント・ファン・レイン作《マルハレータ・デ・ヘール》の白絵具（鉛白）に使用されたメディウムについて : リンシードオイルの加工法を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文> レンブラント・ファン・レイン作《マルハレータ・デ・ヘール》の白絵具（鉛白）に使用されたメディウムについて : リンシードオイルの加工法を中心に","subitem_title_language":"ja"},{"subitem_title":"<Research Paper> A Study of the Binding Medium Used for While Paint (Lead White) in Rembrandt van Rijn's work \"Portrait of Margaretha de Geer\"","subitem_title_language":"en"}]},"item_type_id":"4","owner":"188","path":["6602"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-05-30"},"publish_date":"2018-05-30","publish_status":"0","recid":"46539","relation_version_is_last":true,"title":["<論文> レンブラント・ファン・レイン作《マルハレータ・デ・ヘール》の白絵具（鉛白）に使用されたメディウムについて : リンシードオイルの加工法を中心に"],"weko_creator_id":"188","weko_shared_id":-1},"updated":"2024-03-19T08:14:51.534466+00:00"}