@article{oai:tsukuba.repo.nii.ac.jp:00042125,
 author = {末森, 薫 and SUEMORI, Kaoru},
 journal = {世界遺産学研究, JOURNAL OF WORLD HERITAGE STUDIES},
 month = {Aug},
 note = {莫高窟の北周に比定される窟を対象に、規則性を備える千仏図、画巻式の説話図、飛翔する伎楽天図、列をなす供養者図が示す方向性に着目し、北周窟の空間構成を解釈した。その結果、中心柱窟の第290窟と第428窟に示された方向性の特徴は大きく異なり、全社は空間全体を集合的に捉えた構成であるのに対し、後者は各壁面を独立的に捉えた構成であることが明らかとなった。また、方形窟と中心柱窟に示された方向性の比較より、窟形による空間構成の違いや方向性を示す各図案の役割が理解された。, Mogao Grottoes located in southeast of Dunhuang City in Gansu Province, China are the historical Buddhist ruins which has been registered into World Cultural Heritage of UNESCO in 1987. This paper analyzed the space formation of caves which assumed constructed in the Northern Zhou dynasty (556-581) at Mogao Grottoes by comparing each element which constitute cave space, especially focusing on the wall painting motifs which possesses directions such as patterned Thousand Buddha, frieze-style Narratives, flying Apsaras, lined Worshippers. As a result, it has been revealed that Cave 290 and Cave 428, both are the central-pillared caves, have differences in their space formation; directivities indicated on central-pillar caves and square-shapes the roles of each motifs which possesses a directivity has been understood.},
 pages = {32--62},
 title = {<原著論文> 敦煌莫高窟の北周代における石窟空間構成 : 図案が示す方向性による解釈},
 volume = {4},
 year = {2017}
}