{"created":"2021-03-01T07:12:33.530792+00:00","id":33763,"links":{},"metadata":{"_buckets":{"deposit":"92734dc0-7d27-4f8d-b21c-a0ec10ababb7"},"_deposit":{"id":"33763","owners":[],"pid":{"revision_id":0,"type":"depid","value":"33763"},"status":"published"},"_oai":{"id":"oai:tsukuba.repo.nii.ac.jp:00033763","sets":["112:6550","3:2622:1168:3505"]},"author_link":["203983"],"item_4_biblio_info_6":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2015-03-02","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"62","bibliographicPageStart":"47","bibliographicVolumeNumber":"7","bibliographic_titles":[{"bibliographic_title":"国際日本研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of International and Advanced Japanese Studies","bibliographic_titleLang":"en"}]}]},"item_4_description_4":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"妖魔や動物が人間に変身して、人間と交わる異類婚姻譚は、世界のどの地域にも見られる。ゼウスが白鳥に変身してレダと交わるギリシア神話では、変身するのは男であるが、アジア文化圏では女が変身する民間伝説が多い。本論文では、中国の四大民間伝説のひとつである「白蛇伝」を例にとって、白蛇伝の「映画化作品」に着眼し、スクリーンの上での「白蛇伝」の変遷が概観できるような「白蛇伝映画史」を構築することをめざす。「白蛇伝映画」はこれまで本格的な研究対象として取り上げられたことがない。中国の民話「白蛇伝」は民間伝承の話であるが、1624年に馮夢龍によって「白娘子永鎮雷峰塔」というタイトルで文字として定着された。このテクストがすべての白蛇伝映画の原作となっているが、日本の白蛇伝映画にはもうひとつの原作が存在する。それは林房雄の小説『白夫人の妖術』であり、そこでは白蛇は塔に鎮められはしない。二つの原作に拠りながら、日本の白蛇伝映画における女（白蛇）の表象を分析し、そこに反映されたジェンダー観を明らかにしたい。そのさい、中国の白蛇伝映画を引用し、白蛇の表象の違いにも言及したい。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"The intermarriage between humans and non-human creatures is depicted in myths and legends all over the world. Zeus in Greek mythology, for example, transforms himself into a swan to get physically involved with Leda. It is often the male who goes through a change in the west, but it is more often the female than the male who is a transformer in myths and legends in Asia. Tackling the Japanese films based on the Chinese legend of the White Snake, which was written down by Feng Menglong in 1624, I wish to explore the representation of the White Snake in a gender-conscious perspective. The White Snake films have scarcely been examined in any academic discipline. I intend to take into consideration the credited Japanese novel by Fusao Hayashi, The Sorcery of Mrs. White, which promises her a happy ending contrary to the Chinese original. The goal of this project is to compare the White Snake films in Japan and China to clarify differences in characterizing a non-human female creature who desires to unite with a human male. ","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_4_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.15068/00124621","subitem_identifier_reg_type":"JaLC"}]},"item_4_publisher_27":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"筑波大学人文社会科学研究科国際日本研究専攻","subitem_publisher_language":"ja"},{"subitem_publisher":"Master's and Doctoral Program in International and Advanced Japanese Studies, Graduate School of Humanities and Social Sciences, University of Tsukuba","subitem_publisher_language":"en"}]},"item_4_rights_12":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights_resource":"http://japan.tsukuba.ac.jp/research/about.html"}]},"item_4_source_id_7":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2186-0564","subitem_source_identifier_type":"PISSN"}]},"item_4_source_id_9":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12424473","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"今泉, 容子","creatorNameLang":"ja"},{"creatorName":"イマイズミ, ヨウコ","creatorNameLang":"ja-Kana"},{"creatorName":"IMA-IZUMI, Yoko","creatorNameLang":"en"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2015-05-25"}],"displaytype":"detail","filename":"JIAJS_Vol7_PRINT_03_Imaizumi47.pdf","filesize":[{"value":"5.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"JIAJS_Vol7_PRINT_03_Imaizumi47","objectType":"fulltext","url":"https://tsukuba.repo.nii.ac.jp/record/33763/files/JIAJS_Vol7_PRINT_03_Imaizumi47.pdf"},"version_id":"87f6b19d-5523-460d-8c0a-d3017de43264"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"<論文>白蛇伝映画における女の表象 : 日本文化圏での開花","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"<論文>白蛇伝映画における女の表象 : 日本文化圏での開花","subitem_title_language":"ja"},{"subitem_title":"<Article>The Representation of the Female in Japanese White Snake Films","subitem_title_language":"en"}]},"item_type_id":"4","owner":"1","path":["6550","3505"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2015-05-25"},"publish_date":"2015-05-25","publish_status":"0","recid":"33763","relation_version_is_last":true,"title":["<論文>白蛇伝映画における女の表象 : 日本文化圏での開花"],"weko_creator_id":"1","weko_shared_id":-1},"updated":"2023-04-03T05:53:45.941423+00:00"}