WEKO3
アイテム
{"_buckets": {"deposit": "6c723327-d591-407e-9445-49e425e9de0b"}, "_deposit": {"id": "29859", "owners": [], "pid": {"revision_id": 0, "type": "depid", "value": "29859"}, "status": "published"}, "_oai": {"id": "oai:tsukuba.repo.nii.ac.jp:00029859", "sets": []}, "author_link": ["168522"], "item_4_biblio_info_6": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2013", "bibliographicIssueDateType": "Issued"}, "bibliographicPageEnd": "74", "bibliographicPageStart": "59", "bibliographicVolumeNumber": "4", "bibliographic_titles": [{"bibliographic_title": "Inter Faculty", "bibliographic_titleLang": "en"}]}]}, "item_4_description_4": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "The purpose of this study is to examine the image of the human body in artwork after the First World War portraying the theme of Disabled Veterans. Particularly, I will focus on the relation between the fragmentary body and the object of the body: torso, doll and automaton. I would like to examine the change in the boundary of the body and how the artist views this change in relation to the fragmented body. 本研究の目的は、第一次世界大戦後のドイツの芸術に見られる傷痍軍人をテーマとした作品の身体イメージについて検討することである。特に断片化した彼らの身体が、トルソ、人形、自動人形という身体のオブジェと関連付けられて描かれていることに注目し、身体の断片化に伴う身体の境界の変化を、当時の芸術家たちがどのように捉えていたのかを検討したい。", "subitem_description_language": "en", "subitem_description_type": "Abstract"}]}, "item_4_identifier_registration": {"attribute_name": "ID登録", "attribute_value_mlt": [{"subitem_identifier_reg_text": "10.15068/00000473", "subitem_identifier_reg_type": "JaLC"}]}, "item_4_publisher_27": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "Graduate School of Humanities and Social Sciences, University of Tsukuba", "subitem_publisher_language": "en"}]}, "item_4_relation_39": {"attribute_name": "関連情報", "attribute_value_mlt": [{"subitem_relation_type": "isPartOf", "subitem_relation_type_id": {"subitem_relation_type_id_text": "https://journal.hass.tsukuba.ac.jp/interfaculty/", "subitem_relation_type_select": "URI"}}]}, "item_4_source_id_7": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1884-8575", "subitem_source_identifier_type": "EISSN"}]}, "item_4_source_id_9": {"attribute_name": "書誌レコードID", "attribute_value_mlt": [{"subitem_source_identifier": "BB31469940", "subitem_source_identifier_type": "NCID"}]}, "item_access_right": {"attribute_name": "アクセス権", "attribute_value_mlt": [{"subitem_access_right": "open access", "subitem_access_right_uri": "http://purl.org/coar/access_right/c_abf2"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "SAIGUSA, Keiko", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "168522", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2014-05-09"}], "displaytype": "detail", "download_preview_message": "", "file_order": 0, "filename": "IF_4-A4.pdf", "filesize": [{"value": "396.6 kB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_4", "mimetype": "application/pdf", "size": 396600.0, "url": {"label": "IF_4-A4.pdf", "objectType": "fulltext", "url": "https://tsukuba.repo.nii.ac.jp/record/29859/files/IF_4-A4.pdf"}, "version_id": "d2476a3c-cb70-4612-b0a6-bafdecf08f69"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "eng"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "The Fragmentary and Repaired Body: The Representation of Body in the Interwar Period in Germany", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "The Fragmentary and Repaired Body: The Representation of Body in the Interwar Period in Germany", "subitem_title_language": "en"}, {"subitem_title": "Der fragmentarische und geflickte Korper: Die Vorstellung des Korpers in der Zwischenkriegszeit in Deutschland", "subitem_title_language": "de"}]}, "item_type_id": "4", "owner": "1", "path": ["4835"], "permalink_uri": "https://doi.org/10.15068/00000473", "pubdate": {"attribute_name": "PubDate", "attribute_value": "2014-03-05"}, "publish_date": "2014-03-05", "publish_status": "0", "recid": "29859", "relation": {}, "relation_version_is_last": true, "title": ["The Fragmentary and Repaired Body: The Representation of Body in the Interwar Period in Germany"], "weko_shared_id": -1}
The Fragmentary and Repaired Body: The Representation of Body in the Interwar Period in Germany
https://doi.org/10.15068/00000473
https://doi.org/10.15068/0000047385852652-9c58-4fda-a337-d35eb4db8ac8
名前 / ファイル | ライセンス | アクション |
---|---|---|
IF_4-A4.pdf (396.6 kB)
|
Item type | Departmental Bulletin Paper(1) | |||||
---|---|---|---|---|---|---|
公開日 | 2014-03-05 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Fragmentary and Repaired Body: The Representation of Body in the Interwar Period in Germany | |||||
タイトル | ||||||
言語 | de | |||||
タイトル | Der fragmentarische und geflickte Korper: Die Vorstellung des Korpers in der Zwischenkriegszeit in Deutschland | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15068/00000473 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
SAIGUSA, Keiko
× SAIGUSA, Keiko |
|||||
抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The purpose of this study is to examine the image of the human body in artwork after the First World War portraying the theme of Disabled Veterans. Particularly, I will focus on the relation between the fragmentary body and the object of the body: torso, doll and automaton. I would like to examine the change in the boundary of the body and how the artist views this change in relation to the fragmented body. 本研究の目的は、第一次世界大戦後のドイツの芸術に見られる傷痍軍人をテーマとした作品の身体イメージについて検討することである。特に断片化した彼らの身体が、トルソ、人形、自動人形という身体のオブジェと関連付けられて描かれていることに注目し、身体の断片化に伴う身体の境界の変化を、当時の芸術家たちがどのように捉えていたのかを検討したい。 | |||||
言語 | en | |||||
書誌情報 |
en : Inter Faculty 巻 4, p. 59-74, 発行日 2013 |
|||||
ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 1884-8575 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | BB31469940 | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | Graduate School of Humanities and Social Sciences, University of Tsukuba | |||||
関連情報 | ||||||
関連タイプ | isPartOf | |||||
識別子タイプ | URI | |||||
関連識別子 | https://journal.hass.tsukuba.ac.jp/interfaculty/ |