@article{oai:tsukuba.repo.nii.ac.jp:00021256,
 author = {HASEGAWA, Shiori},
 journal = {Inter Faculty},
 month = {},
 note = {The aim of this article is to discuss the competing and contradictory influences inherent in cinematographic representations of Africa. In particular, I will focus on the films pertaining to Theodore Roosevelt’s exploration of East Africa with emphasis on the following points: how Roosevelt’s safari expeditions created a framework for exploration films; and how natural history added educational discourse to U.S. cinema of the transitional period. セオドア・ローズヴェルトの東アフリカ探検に関連する映画の調査から、合衆国映画のアフリカ表象に内在する複雑な拮抗を論じる。(1) ローズヴェルトの探検がいかに探検映画の枠組みを作ったのか、(2) ナチュラル・ヒストリーがいかに移行期の映画に教育的言説を付与したのかを言及する。},
 pages = {103--114},
 title = {Sensational Africa: Roosevelt’s Cultural Politics and Expeditionary Filmmaking of 1909-1910},
 volume = {1},
 year = {2010}
}