2024-03-28T10:15:57Z
https://tsukuba.repo.nii.ac.jp/oai
oai:tsukuba.repo.nii.ac.jp:00041120
2022-04-27T09:11:56Z
112:5887
3:62:5595:5888
Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
吉原, ゆかり
Yoshihara, Yukari
© by Yukari Yoshihara.
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. (CC BY-NC-ND 4.0)
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses
De Gruyter Open
2016-12
eng
journal article
http://hdl.handle.net/2241/00146068
https://tsukuba.repo.nii.ac.jp/records/41120
10.1515/mstap-2016-0019
2300-7605
Multicultural Shakespeare
14
1
107
122
https://tsukuba.repo.nii.ac.jp/record/41120/files/MSTAP_14-1.pdf
application/pdf
688.1 kB
2017-05-11