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Sensational Africa: Roosevelt’s Cultural Politics and Expeditionary Filmmaking of 1909-1910
https://doi.org/10.15068/00139043
https://doi.org/10.15068/00139043f91f13a6-1593-4280-b84e-f81697406524
名前 / ファイル | ライセンス | アクション |
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IF_1-A7.pdf (324.4 kB)
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Item type | Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-12-14 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Sensational Africa: Roosevelt’s Cultural Politics and Expeditionary Filmmaking of 1909-1910 | |||||
言語 | ||||||
言語 | eng | |||||
資源タイプ | ||||||
資源 | http://purl.org/coar/resource_type/c_6501 | |||||
タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.15068/00139043 | |||||
ID登録タイプ | JaLC | |||||
アクセス権 | ||||||
アクセス権 | open access | |||||
アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||
著者 |
HASEGAWA, Shiori
× HASEGAWA, Shiori |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The aim of this article is to discuss the competing and contradictory influences inherent in cinematographic representations of Africa. In particular, I will focus on the films pertaining to Theodore Roosevelt’s exploration of East Africa with emphasis on the following points: how Roosevelt’s safari expeditions created a framework for exploration films; and how natural history added educational discourse to U.S. cinema of the transitional period. セオドア・ローズヴェルトの東アフリカ探検に関連する映画の調査から、合衆国映画のアフリカ表象に内在する複雑な拮抗を論じる。(1) ローズヴェルトの探検がいかに探検映画の枠組みを作ったのか、(2) ナチュラル・ヒストリーがいかに移行期の映画に教育的言説を付与したのかを言及する。 | |||||
言語 | en | |||||
書誌情報 |
en : Inter Faculty 巻 1, p. 103-114, 発行日 2010 |
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ISSN | ||||||
収録物識別子タイプ | EISSN | |||||
収録物識別子 | 1884-8575 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | BB31469940 | |||||
出版者 | ||||||
言語 | en | |||||
出版者 | Graduate School of Humanities and Social Sciences, University of Tsukuba | |||||
関連情報 | ||||||
関連タイプ | isPartOf | |||||
識別子タイプ | URI | |||||
関連識別子 | https://journal.hass.tsukuba.ac.jp/interfaculty/ |